Posts tagged Now Then

Streetview - Road Sign Language

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My latest article for the wonderful Now Then - the layout and naming convention of streets. Featuring a housing estate in Chorlton and a series of American grid-style streets in Trafford Park…

There’s a long-vacated wine shop in Chorlton, the exterior of which is flanked by two huge bay windows and the blue frames are that kind of salt-eroded, windswept pastel found only on British waterfronts and in polaroids. Traversing the suburban landscape that surrounds the wine shop the houses begin to take on the same seaside form, it’s subtle and difficult to pinpoint the exact similarities but they’re definitely there and that’s when you notice the street signs: Fairhaven, St Annes, Lytham, Cleveleys, and it’s quite serendipitous but there’s long winding road that wraps around this estate and it goes by the name of Sandy Lane - a tarmac beach. Were these houses designed to mirror the architecture of our seaside resorts or have the streets, like dogs that resemble their owners, taken on the characteristics of the towns they’re named after? 

Le Corbusier famously outlined his plans for a new Paris in his manifesto The City of Tomorrow and Its Planning. The streets that had grown from the paths of least resistance, those traced by meandering pack-donkeys during medieval times, were not efficient for modern man. To Le Corbusier the city was a mechanism and neither character nor exploration were necessary components of his well-oiled machine. The streets in his vision were laid out in meticulous order, exact geometry that suited and served the way of man, and not the way of the donkey. Manchester, like much of the UK, is part man and a whole lot of donkey. But not entirely. Some of the order found within the grid layout of new transatlantic cities, their blocks and their numerical naming convention, made it to Manchester.

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The water tower of the Westinghouse factory, Trafford Village. Image care of Metropolitan Vickers

In 1886 American owned Westinghouse Electrical Company built besides the Bridgewater Canal on what had been meadows up until the completion of the Manchester Ship Canal. Westinghouse pulled out all the stops to have his enormous factory built in record time along with a model village for his workers. He based his Trafford Park Village on the regimented blocks of America and provided four avenues and twelve streets of housing, small businesses and community centres. Today the streets have been altered somewhat but this grid layout still exists to some degree

Read the article I wrote for Now Then issue 2 about the Kardomah Cafes of Manchester. The full (and quite beautiful) version of the magazine can be read by clicking the image above, or read the article below.

Kardomah Manchester

Cafe Cultured

Upon arriving in Manchester during the 1950s to work for The Guardian, novelist Michael Frayn asked where in the city one could expect to find the artists’ quarter - he was answered with a peel of laughter. But proof that there was indeed a haven for artists’ back then can be found at the Venetian Gothic Memorial Hall on Albert Square. The layers of paint that had obscured it for years have now all but vanished and in the doorway of this listed building you can clearly see a sign for one of the Manchester branches of the Kardomah Café.

The Kardomah Cafés originated in Edwardian times and garnered a reputation amongst the bohemian as the place to be seen. In fact, it was so popular a place that the Welsh branch of Kardomah became the meeting point for Dylan Thomas and the eponymous ’Kardomah Gang’; a gathering of painters, writers, artists and musicians who met regularly in the Swansea café.

Opening from around 1929 onwards, our own little Lost Generation could be found here for it was in one of the Manchester Kardomah’s that William Turner and L S Lowry would meet to famously not talk about Lowry’s work. It’s was at the Piccadilly Gardens branch of the chain (later a Lyon’s) that Lowry, in 1957, opened a letter from a 13 year old girl asking him for artistic advice. Lowry looked up from the page only to see a bus heading to the same town as noted in the letter, he boarded the bus and paid her a visit. The unlikely pair struck up an avuncular relationship and the girl, herself named Lowry, became the eventual heir to his estate.

There were at least three of these cafes in Manchester with one at St Anne’s Square that had a large Arabic following, Albert Square, and a final one at Piccadilly Gardens that was architecturally ornate and Moorish in style.

The cafés welcomed those who perhaps did not feel welcome elsewhere, be that down to sex, religion or ethnicity. Over the years the cafes kept up with the times and by the 1960s, just prior to their demise, they were the haunts of many young Mods.

During the peak of their popularity the cafés were always busy but we’re treated with more of a grandeur than we grant coffee shops today; they were a night out for many customers and so they would dress in best hats and gloves and sit around waiting to be seen as they ate herring roe on toast and listened to live jazz.

Kardomah Manchester

The plush interiors of the London and Manchester branches were the work of Sir Misha Black, who is perhaps more well known for designing the City of Westminster street signs, the 1978 London Transport moquette (those iconic geometric orange and black seat covers) and co-founding the Design Research Unit (a consultancy specialising in architecture, industrial design and graphics).

The Kardomah chain was founded in Liverpool and predominantly based in the UK but a handful made their way to Paris, Sydney and even a fictional Kardomah can be seen in Brief Encounter as the location of the lovers’ tryst.

After the Kardomahs were closed and Manchester began to welcome and celebrate urban street culture, these dark cafes of yesterday were forgotten as Manchester pointed an ashamed finger at itself as a city that was living behind closed doors.  The city council focussed upon investing in public spaces and encouraging urban culture and street life in line with the councils arts and culture strategy. Couple this with the eventual smoking ban and Manchester became a city living very much outdoors, but Kardomah’s ghost is still here and it’s pointing out the glaringly obvious oversights in our ‘cafe culture’, in our reluctance to utilise the three most obvious urban spaces for cafe life in the city (besides that wonderful street level car park on Aytoun Street) - and of course, they are the three sites of Kardomah itself; Albert Square, St Ann’s Square, and Piccadilly Gardens.

Before cafe culture Kardomah already had the locations nailed.

These were beat clubs before beat. Coffee shops before Starbucks. Cafe culture before Canal Street.

Now Then Manchester


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